“Son Ku\u015flar”, “Semaver”, “Havada Bulut”, “Sarn\u0131\u00e7”, “\u015eahmerdan”, “Kumpanya” ve “Mahalle Kahvesi”nin de aralar\u0131nda bulundu\u011fu pek \u00e7ok eseri T\u00fcrk edebiyat\u0131na miras b\u0131rakan \u015fair, \u00f6yk\u00fc ve roman yazar\u0131 Sait Faik Abas\u0131yan\u0131k, vefat\u0131n\u0131n 71. y\u0131l\u0131nda an\u0131l\u0131yor.
<\/p>\n\n\n\n
T\u00fcrk edebiyat\u0131nda modern hikayenin \u00f6nde gelen isimlerinden Abas\u0131yan\u0131k, Mehmet Faik Bey ile Makbule Han\u0131m’\u0131n o\u011flu olarak 18 Kas\u0131m 1906’da Sakarya’da d\u00fcnyaya geldi.<\/p>\n\n\n\n
Usta kalem, ilk\u00f6\u011frenimini yabanc\u0131 dilde e\u011fitim veren Rehber-i Terakki okulunda tamamlad\u0131, Adapazar\u0131 Lisesi’nde okurken ilk \u015fiirini kaleme ald\u0131.<\/p>\n\n\n\n
\u0130stanbul’a 1924’te ta\u015f\u0131nan Abas\u0131yan\u0131k, \u0130stanbul Erkek Lisesi’ne devam etti. Ba\u015far\u0131l\u0131 yazar, daha sonra gitti\u011fi Bursa Lisesi’nden 1928’de mezun oldu.<\/p>\n\n\n\n
Bursa Lisesi’ndeyken yazd\u0131\u011f\u0131 “Zemberekli Saat” ve “U\u00e7urtmalar” adl\u0131 ilk hikayeleriyle \u015fiir denemelerinin ard\u0131ndan edebiyat hocas\u0131 M\u00fcmtaz Bey’in te\u015fvikiyle edebiyata ilgi duymaya ba\u015flayan Abas\u0131yan\u0131k, “Hamal” isimli \u015fiiri ile ilk \u00f6yk\u00fcs\u00fc “\u0130pekli Mendil”i gen\u00e7lik y\u0131llar\u0131nda kaleme ald\u0131.<\/p>\n\n\n\n
Usta yazar, 1928’de \u0130stanbul \u00dcniversitesi Dar\u00fclf\u00fcnun (Edebiyat Fak\u00fcltesi) T\u00fcrkoloji B\u00f6l\u00fcm\u00fc’ne kayd\u0131n\u0131 yapt\u0131rd\u0131. Bu d\u00f6nemde sanat ve edebiyat \u00e7evreleriyle tan\u0131\u015fmaya ba\u015flayan Abas\u0131yan\u0131k’\u0131n “U\u00e7urtmalar” adl\u0131 hikayesi, 9 Aral\u0131k 1929’da Milliyet gazetesinin sanat sayfas\u0131nda yay\u0131nland\u0131.<\/p>\n\n\n\n
Sait Faik Abas\u0131yan\u0131k, zaman zaman derslere gitse de oturduklar\u0131 ev, fak\u00fclte ve \u015eehzadeba\u015f\u0131 k\u0131raathaneleri ayn\u0131 semtte oldu\u011fu i\u00e7in \u00f6zelikle o g\u00fcn\u00fcn gen\u00e7 yazarlar\u0131n\u0131n bulu\u015ftu\u011fu Halk k\u0131raathanelerinde s\u0131k\u00e7a g\u00f6r\u00fcl\u00fcrd\u00fc.<\/p>\n\n\n\n
Babas\u0131n\u0131n iste\u011fiyle \u00fcniversiteden ayr\u0131lan Abas\u0131yan\u0131k, 1931’de ekonomi e\u011fitimi i\u00e7in \u0130svi\u00e7re’nin Lozan kentine, oradan da Fransa’n\u0131n Grenoble \u015fehrine gitti. Usta yazar, 1934’e kadar s\u00fcren d\u00fczensiz e\u011fitim ve ya\u015fad\u0131\u011f\u0131 bohem hayat\u0131 y\u00fcz\u00fcnden, babas\u0131n\u0131n geri \u00e7a\u011f\u0131rmas\u0131yla diploma alamadan T\u00fcrkiye\u2019ye d\u00f6nd\u00fc.<\/p>\n\n\n\n
Yazar, bir s\u00fcre Hal\u0131c\u0131o\u011flu Ermeni Yetim Mektebi\u2019nde T\u00fcrk\u00e7e \u00f6\u011fretmenli\u011fi yapt\u0131.<\/p>\n\n\n\n
Babas\u0131n\u0131n verdi\u011fi sermaye ile a\u00e7t\u0131\u011f\u0131 ticarethaneyi y\u00fcr\u00fctemeyen yazar, babas\u0131n\u0131n \u00f6l\u00fcm\u00fc \u00fczerine geride kalan m\u00fclklerin geliri ve yaz\u0131lar\u0131yla ge\u00e7indi.<\/p>\n\n\n\n
Abas\u0131yan\u0131k’\u0131n 1934-1940’ta Varl\u0131k, A\u011fa\u00e7, Servet-i F\u00fcnun, Uyan\u0131\u015f, Ses, Yeni Ses, Yaprak ve Yenilik dergilerinde yay\u0131nlanan \u00f6yk\u00fcleri ilgi g\u00f6rd\u00fc.\u2028<\/p>\n\n\n\n
Yazar\u0131n, maliyetini babas\u0131n\u0131n kar\u015f\u0131lamas\u0131yla yay\u0131mlanan ilk kitab\u0131 “Semaver”, Remzi Kitabevinden okuyucuyla bulu\u015ftu.\u2028 Usta edebiyat\u00e7\u0131, yazmayla aras\u0131ndaki ili\u015fkiyi “Haritada Bir Nokta” \u00f6yk\u00fcs\u00fcnde \u015fu s\u00f6zlerle aktarm\u0131\u015ft\u0131:<\/p>\n\n\n\n
“S\u00f6z vermi\u015ftim kendi kendime. Yaz\u0131 bile yazmayacakt\u0131m. Yaz\u0131 yazmak da bir h\u0131rstan ba\u015fka ne idi? Burada, namuslu insanlar\u0131n aras\u0131nda, sakin \u00f6l\u00fcm\u00fc bekleyecektim. H\u0131rs, hiddet neme gerekti? Yapamad\u0131m. Ko\u015ftum t\u00fct\u00fcnc\u00fcye. Kalem, ka\u011f\u0131t ald\u0131m. Oturdum. Adan\u0131n tenha yollar\u0131nda gezerken can\u0131m s\u0131k\u0131l\u0131rsa k\u00fc\u00e7\u00fck de\u011fnekler yontmak i\u00e7in cebimde ta\u015f\u0131d\u0131\u011f\u0131m \u00e7ak\u0131m\u0131 \u00e7\u0131kartt\u0131m. Kalemi yonttuktan sonra tuttum, \u00f6pt\u00fcm. Yazmasam deli olacakt\u0131m.”<\/p>\n\n\n\n
\u0130lk kez 1937’de Kurun’da, ard\u0131ndan 1940’ta Varl\u0131k’ta yay\u0131mlanan “\u00c7elme” \u00f6yk\u00fcs\u00fc nedeniyle Askeri Mahkeme’de yarg\u0131lanan ve beraat eden Abas\u0131yan\u0131k’\u0131n, babas\u0131 1938’de hayat\u0131n\u0131 kaybetti. K\u0131\u015flar\u0131 \u015ei\u015fli’deki evde, yazlar\u0131 ise Burgazada’da annesiyle ya\u015famaya ba\u015flayan edebiyat\u00e7\u0131n\u0131n “Sarn\u0131\u00e7” adl\u0131 kitab\u0131 1939’da, “\u015eahmerdan” kitab\u0131 1940’ta \u00c7\u0131\u011f\u0131r Kitabevi taraf\u0131ndan yay\u0131mland\u0131.\u2028<\/p>\n\n\n\n
Hikaye ve yaz\u0131lar\u0131 Milliyet, Kurun, Vakit gazeteleri ile Varl\u0131k, A\u011fa\u00e7, B\u00fcy\u00fck Do\u011fu, Y\u00fccel, Yeni Mecmua, Servet-i F\u00fcnun, \u0130nk\u0131lap\u00e7\u0131 Gen\u00e7lik, Y\u00fcr\u00fcy\u00fc\u015f ve Yedig\u00fcn dergilerinde yer buldu.<\/p>\n\n\n\n
Abas\u0131yan\u0131k, Varl\u0131k Yay\u0131nlar\u0131 taraf\u0131ndan 1956’da “Mahkeme Kap\u0131s\u0131” ismiyle kitapla\u015ft\u0131r\u0131lan eserine kaynak olacak 28 mahkeme r\u00f6portaj\u0131n\u0131, “Haber-Ak\u015fam Postas\u0131” gazetesi i\u00e7in yapt\u0131\u011f\u0131 mahkeme muhabirli\u011fi s\u0131ras\u0131nda ger\u00e7ekle\u015ftirdi.\u2028<\/p>\n\n\n\n
D\u00fczensiz hayat\u0131 ve alkol kullan\u0131m\u0131 y\u00fcz\u00fcnden 1945’te rahats\u0131zlanan Abas\u0131yan\u0131k’a, 1948’de siroz te\u015fhisi konuldu ve 1951’de tedavi i\u00e7in Paris’e gitti.\u2028<\/p>\n\n\n\n
Usta kalem, 1953’te ABD’de bulunan uluslararas\u0131 Mark Twain Derne\u011fi onur \u00fcyeli\u011fine se\u00e7ildi. Bu ilgiyi kendisine de\u011fil, T\u00fcrk hikayecili\u011fine ba\u011flayan usta edebiyat\u00e7\u0131, \u00f6zg\u00fcr d\u00fc\u015f\u00fcncesini \u00f6yk\u00fclerine yans\u0131tmakla beraber Tanzimat’tan beri s\u00fcregelen giri\u015f, geli\u015fme, d\u00fc\u011f\u00fcm noktas\u0131 ve sonu\u00e7 \u00e7er\u00e7eveli \u00f6yk\u00fc yap\u0131s\u0131n\u0131 ba\u015fka bir mecraya ta\u015f\u0131d\u0131.<\/p>\n\n\n\n
Mark Twain Derne\u011fi onur \u00fcyeli\u011fine ili\u015fkin Abas\u0131yan\u0131k ile 17 May\u0131s 1953’te r\u00f6portaj yapan yazar Ya\u015far Kemal, yaz\u0131ya \u015fu s\u00f6zlerle ba\u015flam\u0131\u015ft\u0131:<\/p>\n\n\n\n
“Baz\u0131 adam vard\u0131r, insan y\u00fcz\u00fcnde s\u0131rf h\u0131n\u00e7, kin okur. Baz\u0131s\u0131nda gurur, baz\u0131s\u0131nda ne\u015fe, baz\u0131s\u0131nda baya\u011f\u0131l\u0131k, a\u015fa\u011f\u0131l\u0131k\u2026 Bu adam\u0131n \u00fcst\u00fcnden ba\u015f\u0131ndan da yaln\u0131zl\u0131k akar. Bir de bu adama, Kad\u0131k\u00f6y \u0130skelesi’nin kanepelerinden birine oturmu\u015f, heybeli k\u00f6yl\u00fcleri, \u00e7\u0131plak ayakl\u0131 serseri \u00e7ocuklar\u0131, han\u0131mefendileri seyrederken rastlars\u0131n\u0131z. Bu adam hikayeci Sait Faiktir. H\u00fcz\u00fcnl\u00fc, \u0131l\u0131k, insan sevgisi dolu hikayelerini Sait yazmaz, ya\u015far. Sait bir dertli, k\u00f6t\u00fcl\u00fcklerden, a\u015fa\u011f\u0131l\u0131klardan, d\u00fcnyadaki c\u00fcmle baya\u011f\u0131l\u0131klardan, kirden i\u011frenen bir ademo\u011fludur. O daima iyili\u011fi s\u00f6ylemi\u015ftir.”<\/p>\n\n\n\n
Abas\u0131yan\u0131k ise ayn\u0131 r\u00f6portajda, “T\u00fcrk hikayecilerini temsil etti\u011fim anlam\u0131na al\u0131nmas\u0131n sak\u0131n. Her hikaye yazan ve yayan T\u00fcrk hikayecisi kendi \u015fahs\u0131nda bir dilin hikayecili\u011fini yapt\u0131\u011f\u0131na g\u00f6re, \u015fahs\u0131ma Mark Twain Cemiyetinin g\u00f6sterdi\u011fi ilgi ve sevgi daha \u00e7ok T\u00fcrk hikayecili\u011fine gibi geliyor bana. Ben de bu ilgi ve sevgiyi t\u00fcm hikayeci arkada\u015flar\u0131mla payla\u015f\u0131r\u0131m, kabul ederlerse. Kendini b\u00fct\u00fcn d\u00fcnyaya tan\u0131tm\u0131\u015f, sevdirmi\u015f, bir halk \u00e7ocu\u011fu olan hikayeci Mark Twain’i ananlar\u0131n i\u00e7ine T\u00fcrk dilinin bir hikaye yazar\u0131n\u0131 almay\u0131 d\u00fc\u015f\u00fcnenlere de te\u015fekk\u00fcr ederim.” ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n\n\n\n
Yazar\u0131n acemice yaz\u0131lm\u0131\u015f zannedilen \u00f6yk\u00fcleri, Cumhuriyet d\u00f6nemi klasik \u00f6yk\u00fc gelene\u011fini y\u0131karak, T\u00fcrk \u00f6yk\u00fcc\u00fcl\u00fck sanat\u0131nda bir devrim olarak de\u011ferlendirildi.<\/p>\n\n\n\n
Usta edebiyat\u00e7\u0131, 5 May\u0131s 1954’te kriz ge\u00e7irerek hastaneye kald\u0131r\u0131ld\u0131. Yemek borusu kanamas\u0131yla ba\u015flayan ve kan kayb\u0131 nedeniyle komaya giren usta yazar, 11 May\u0131s 1954’te hayat\u0131n\u0131 kaybetti. Abas\u0131yan\u0131k, Zincirlikuyu Mezarl\u0131\u011f\u0131’na defnedildi.<\/p>\n\n\n\n
Annesi, o\u011flunun vefat\u0131ndan sonra 8 Kas\u0131m 1954’te haz\u0131rlad\u0131\u011f\u0131 vasiyetinde mal varl\u0131klar\u0131n\u0131n \u00e7o\u011funun, yazar\u0131n eserlerinin telif haklar\u0131n\u0131n ve Sait Faik Abas\u0131yan\u0131k M\u00fczesi yap\u0131lmas\u0131 ko\u015fuluyla Burgazada’daki k\u00f6\u015fk\u00fcn Dar\u00fc\u015f\u015fafaka Cemiyeti’ne b\u0131rak\u0131lmas\u0131n\u0131 istedi. Makbule Han\u0131m ayr\u0131ca o\u011flu ad\u0131na her y\u0131l bir hikaye arma\u011fan\u0131 verilmesini \u015fart ko\u015ftu.<\/p>\n\n\n\n
Onun an\u0131s\u0131n\u0131 ya\u015fatmak amac\u0131yla 1955’ten itibaren “Sait Faik Hikaye Arma\u011fan\u0131” d\u00fczenlenmeye ba\u015fland\u0131. \u00d6d\u00fcl, T\u00fcrk \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcne y\u0131llard\u0131r de\u011ferli isimler kazand\u0131rmaya devam ediyor.<\/p>\n","protected":false},"excerpt":{"rendered":"
“Son Ku\u015flar”, “Semaver”, “Havada Bulut”, “Sarn\u0131\u00e7”, “\u015eahmerdan”, “Kumpanya” ve “Mahalle Kahvesi”nin de aralar\u0131nda bulundu\u011fu pek \u00e7ok eseri T\u00fcrk edebiyat\u0131na miras b\u0131rakan \u015fair, \u00f6yk\u00fc ve roman yazar\u0131 Sait Faik Abas\u0131yan\u0131k, vefat\u0131n\u0131n 71. y\u0131l\u0131nda an\u0131l\u0131yor. T\u00fcrk edebiyat\u0131nda modern hikayenin \u00f6nde gelen isimlerinden Abas\u0131yan\u0131k, Mehmet Faik Bey ile Makbule Han\u0131m’\u0131n o\u011flu olarak 18 Kas\u0131m 1906’da Sakarya’da d\u00fcnyaya geldi. […]<\/p>\n","protected":false},"author":1,"featured_media":494,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,3,1,13],"tags":[],"class_list":["post-493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","category-gundem","category-haber","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/posts\/493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/comments?post=493"}],"version-history":[{"count":1,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/posts\/493\/revisions"}],"predecessor-version":[{"id":495,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/posts\/493\/revisions\/495"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/media\/494"}],"wp:attachment":[{"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/media?parent=493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/categories?post=493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sagedijital.com\/glob\/wp-json\/wp\/v2\/tags?post=493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}